Tales from the Thousand and One Nights (Penguin Classics)

A collection of tales mostly of Persian, Indian, and Egyptian origin. Legend has it that Shahrazad, to prolong her life, told these tales to the king each night over 1,001 nights. In the end, the king let her lived as he had fallen in love with her. What a delightful legend!

In reality, these tales are most likely a collection that were handed down over time very much like folk tales in our Western world. They are fantastical stories in many cases involving jinnees and magical islands and far off lands and mysterious animals and beautiful women and enchanted lamps and....well, it goes on and on! There are some common themes: poor, common men become wealthy beyond their wildest dreams and eventually become kings, women are (usually) portrayed as deceitful and conniving, and at the center is religion.

An entertaining and fascinating book for children and adults, although there are some stories that might need to be monitored by adults for children - the stories can be a little bawdy! But there are so many good ones here, such as Sindbad and his voyages and Aladin. However, the other stories are just as entertaining, too, such as the hilarious Historical Fart and introspective The Dream. I'm normally not a fan of fantasy fiction, but these are easy to read and easy to follow and allow the read to let their imagination just go to the four winds. Wonderful book!

What a great book. These stories are extremely old from places such as Persia and India with a mostly arabic influence. The introduction gives great historical insight about the various tales. Of all the translated versions of these classic stories, and what was probably much more complicated original prose, I find Mr Dawood's translations simple and fun to read. The stories are rich with adventure and fantasy. Mr Dawood does an excellent job of keeping the stories down-to-earth and entertaining. Those who enjoy cryptic, esoteric literature will enjoy losing themselves in the intertwining stories of this book. With a simplistic style of story-telling, it is still intricate enough to keep one immersed. Those who already enjoy simple stories will be intrigued by the unique storylines and plots. For young, impressionable readers, the tales have no religious overtones or underlying political agenda and women are revered and respected. I first read this book when I was 12, and continue to enjoy and re-read the stories well into adulthood.

This book is a selection of the choicest tales from the Thousand and One Nights. The translator, N.J. Dawood, also translated the Koran for the Penguin Classics series. Dawood explains in the introduction that the first of these tales appeared in a written form around 850 C.E., in a book called, "A Thousand Legends." More tales, of lesser quality, were added over the years until an anonymous editor in Cairo finally codified them in the 18th century. A French version of some of the stories appeared in the 17th century, and was followed by several English versions in the 19th century; the best known adaptation came from Sir Richard Burton, in 10 volumes. The stories are a mix of Arabic, Persian, and Indian tales and appear to have been written in response to classical Arabic literature. The Arabs do not consider them part of the classic canon, and after reading these stories, I can see why. They are aggressive and highly sexualized, and are loaded with sorcery, fantasy, and criticism of authority figures.

Whatever their origins and means of transmission, these are excellent and entertaining stories. I cannot think of one tale in this selection that I did not like. Included in the book is the instantly recognizable Aladdin story, as well as the Sinbad voyages. Other tales are just as interesting: "The Tale of the Hunchback," "The Tale of Judar and his Brothers," "The Porter and the Three Girls of Baghdad," and many others. Many of these stories are cycles; they have stories within stories, as characters in one story tell their own stories. At the end of the cycle, the story is cleverly wrapped up, usually with a happy ending. I do not think I need to go into detail about Aladdin or Sinbad, except to say that I was surprised to see Aladdin described as Chinese. Providing details to these stories would be useless anyway because they are so detailed as to be impervious to summary.

There is no doubt that many of these stories started as oral stories, and retained that shape into the written versions. The best example is the Sinbad cycle. All of the stories in this cycle are framed in the same way. This repetition made it easier to memorize the stories, or at least the basic outline. A good storyteller could take the frame and fill in the blanks with whatever his heart desired. You often see this kind of writing in the Bible.

Social roles and class play a large part in these stories. Women are presented as wily and dangerous, but not always. Several stories show men trying to pull fast ones on the ladies, with the results much to the detriment of the men. Many stories show how the high and mighty come crashing down, or how the lowly are elevated to great status. These movements are attributed to the grace or condemnation of Allah, and the characters all act out their movements with Allah close by.

You will not go wrong with this book. These are immensely entertaining stories for both children and adults, although you might want to find a toned down version for the kiddies. Why? I am thinking about the tale where a man and some women play "name that body part." My only criticism of this version is that the tale of "Ali Baba and the Forty Thieves" is absent. I have no idea why it is missing, but the book loses one star for this grave omission.

This book is translated by a person named N.J. Darwood. It's simply wonderful. The tales involved are tales of the Persian Gulf, of Bagdhad, Arabia, and tales that we as adults should revisit for some enjoyable light reading that will make us smile and wonder at the old folklore of the Arabian Peninsula. Sinbad the Sailor is in there, as is Aladdin in it's original form, and the story begins of a king who is so upset by his wife's unfaithfulness that he will now only accept virgins for one night and then have them killed. A smart virgin begins her night with the infamous king by telling him stories, and she so fascinates him and enthralls him with her tales that the tales turn into folklore for readers of the ages. I won't tell you what happens in the end to the virgin princess, but you will find humor, enchantment, wisdom and fantasy for those times when stress becomes a factor in your life. I highly recommend the tale of "The Historic Fart" as a both funny and inspiring tale of human nature. Please buy this book and remember to become a nine -12 year old again as you read with curiosity and wonder at the fabulous enchanting, lively stories. I was beginning to wish my children were a bit younger so I could read these to them. Any child would enjoy these stories, and any adult will find them simply relaxing and a reflection of medieval Islam.

The stories in the Thousand and One Nights never seem to grow old and captivate readers, both young and old. Dawood's translations are faithfull to the original stories while giving a firm footing in the present. This is one of the most enjoyable books I've read in quite a while. If you think you know the stories of Aladdin, Sinbad the Sailor, or Ali Baba from movies then think again. These tales in their original form are timeless!