Delta Wedding (A Harvest/Hbj Book)

I had always wanted to read something by Eudora Welty, and this book cured me of that. What a confusing bunch of characters--one didn't know if they were white or black--young or old. The one bright spot in the book was her very descriptive language.

Welty has a way with words that is unlike any other American author. Delta Wedding is one of those "typical" Welty books that delivers passages that you have to reread several times because they are so evocative of time, place or spirituality.

DW is set at Shellmound, the Fairchild's plantation in the Mississippi Delta, aka cotton country. Laura McRaven, a cousin to the Fairchilds' travels by train from Jackson to Fairchild and is both overwhelmed by her huge family of cousins, aunts and uncles, and lured to be accepted by them. Laura's mother had recently passed away, and she expects to be treated special as a result. Other than her first greeting by her Aunt Ellen (the matriarch of this enormous family) she is pretty much left to fend for herself. Sometimes this proves too much for her, but by the end of the novel it seems that Laura fits right in with the rest of the Fairchilds.

One theme in particular that I liked about the book is that of the view of the outsider. Laura is an outsider who both wants to be inside and remain outside. She likes her "special-ness" by being an orphan and not being part of the Fairchild clan, but she desperately wants to be part of something grand, and the Fairchilds seem like a good place to start. Ellen, who married Battle Fairchild, is from Virginia and is seen as snooty even though she is thoroughly in love with the people around her. Welty does such a wonderful job of showing someone who is so overwhelmed by her life that she can't seem to react with enthusiasm--it's as if she's a piece of drift wood in the Yazoo River. Then there is Troy Flavin who is the bride groom of the story. Not only is he from another part of Mississippi where there are hills, but he is the overseer for the plantation--he is doubly outside. He looks different than everyone else, too. Unfortunately, we don't get to see the world from Troy's perspective other than in the few statements he makes about his mother and her quilting.

I enjoyed reading DW, though I have to admit I wished it were a little shorter. I felt myself being overwhelmed by the huge cast of characters. I still don't know how many children Battle and Ellen have, and I found myself wondering who some minor characters were upon their reintroduction to the story. That said, Welty has such a talent for a turn of phrase or for the absurd, that I found myself laughing out loud and thoroughly enjoying this book.

Eudora Welty, winner of the National Medal for Literature and the Pulitzer Prize, paints a haunting, lyrical portrait of the enormous Fairchild clan at Shellmound - their rustically feudal cotton plantation in the 1920's Mississippi Delta.

The family has gathered for the wedding of Dabney, the second and prettiest daughter, (in her particular generation), and Troy Flavin, Shellmound's overseer, a ruddy-haired man who is totally unsuitable, in the eyes of various family members. However, nothing is expressed verbally to indicate their displeasure. Their attitudes, the way they live and treat each other, say it all.

It is late summer, and the festivities are underway in the semi-tropical heat which hangs heavy over the river and bayou. Nine year-old Laura McRaven, a cousin whose mother just died, arrives for the celebrations on a trial visit, of sorts, that will decide whether she is to become a permanent member of the clan, or be sent back to her non-Fairchild father in Jackson. The plot is a simple one, however, the novel's pattern of relationships are most complex. The characters' reveal themselves through their actions, conversations, soliloquies, and sometimes through the perceptions of young Laura, as they all deal with the issues which unite and divide them.

Welty's sensitive story vividly portrays the charm and customs of old Southern family gatherings of yesteryear, and explores the complexities and chaos associated with close-knit families. The author literally invites the reader, most hospitably, into Shellmound and beckons us to join the festivities.

"Delta Wedding" was Ms. Welty's first novel, published in 1946. While I thoroughly enjoyed "Delta Wedding," I do prefer Ms Welty's short stories to her novels.
JANA

The only reason I completed this silly, disappointing novel was because I had just finished all of Welty's remarkable short stories and her flawless novella, "The Optimist's Daughter." It's as if a completely different author had written this superficial, fatuous novel. If you desire to read about 20 forgettable people in a seriously inbred family speaking at the same time about the impending wedding of one of their own, then this novel is for you. The only explanation for this work is that it came very early in Welty's career. I realize that others have defended this novel as revealing quintessential Southern dialogue and acute psychological tension in the characters. While the dialogue is clearly of the South, it is senseless, repetitive and tedious, and the characters dash madly in and out of the novel, without making any lasting impression on this reader. Instead, read Welty's short stories and "The Optimist's Daughter" and you will discover a totally different Welty: one whose fully realized characters and profound psychological insights will leave you with the enduring belief in her genius.

When you see the title "Delta Wedding," please don't assume that Eudora Welty's novel is either a gaudy supermarket romance or a pollyanna tribute to nuptial celebration and Southern domesticity. It is about the events leading up to a wedding, and of course there is plenty of talk about dresses and cooking and dancing, but Welty, almost like Virginia Woolf's American counterpart, suffuses the atmosphere with mysterious psychological undercurrents and the foreboding aura of secrecy. We get the sense that there is more to these people's personalities than the text can convey, and we read on patiently and attentively, hoping to unravel the complexities.

The setting is the area of central Mississippi through which the Yazoo River flows, not far from Faulkner country geographically or literarily; much of the land in this particular locality is owned by a family named the Fairchilds, the dynastic centerpiece of the story. The prevalent symbol in the novel is a train called the Yellow Dog, the principal means of mass transportation that connects this part of Mississippi to the rest of the state. This is the train that brings nine-year-old Laura McRaven from Jackson to visit the Fairchilds, her cousins, on their plantation, where Dabney (that's a girl) Fairchild is engaged to be married within the week to a man twice her age named Troy Flavin.

It is also the train that, not long before the novel begins, nearly ran over Laura's uncle George as he tried to rescue his addled niece Maureen who had caught her foot in a trestle. George's wife Robbie had witnessed this near-accident and now is using it as an excuse to leave him--how could he be so selfish as to risk his life and widow her? Although this does not speak well of Robbie's character, the source of her discontent is really alienation. She knows that she is beneath George's station, and every instance in which he bonds with another Fairchild only affirms that the Fairchild mystique is a closed circle, impenetrable to her.

For a novel concerned about a wedding in the immediate present, it is deeply immersed in its characters' pasts. Laura is an only child whose mother has recently passed away, so this large house where she is surrounded by myriad cousins, aunts, and uncles, like legendary creatures whose fantastic world she has suddenly entered, is an awesome environment with a rich and intricate history. The Fairchilds are such a regional monument that the entire town cemetery is practically their very own mausoleum; Dr. Murdoch, the insensitive local physician, picks out future burial plots for Fairchilds as though he were deciding where to plant flowers in a garden.

One interesting characteristic of "Delta Wedding" is that, true to impressionistic storytelling, there is no traditional protagonist that I could identify. Laura receives much of the focus, but this is not really her story, nor is it narrated in her voice. Dabney is too shallow and spoiled to be a heroine; her older sister Shelley, a smarter and more serious girl, is not interested in being a heroine, and good for her. "Delta Wedding" does well without a hero because it is realistic fiction at its most crystalline; a sincere, authentic depiction of life in the rural deep South of the 1920s which shows a part of the country modernizing to the twentieth century even while clinging to the shadows of the past.