Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within

One of the most humane and heartening books on the perils of the writing life I've come across, it's hard to recommend it highly enough. I'd give it more than 5 stars if I could.

Based on his own career as a writer and as a therapist, Palumbo knows all the secret agonies serious writers face; and he has, through experience, gathered wisdom for dealing with all of them. He imparts this wisdom in gentle, down-to-earth chapters that always stress the real over the theoretical.

I came across this book at just the right time (recommended, I think, in one of Elizabeth Lyon's terrific writing guides) and now I don't know how I ever got along without it. I have a copy next to the chair where I work; I will refer to it often, and recommend it heartily.

Just what the doctor ordered for writers who wrestle with the demands of the writing life, which is all of us. Palumbo is a healer, and this book now lives on my nightstand.

For many years I experienced writer's block, lonliness, doubt, fear of rejection and just plain fear. Just like the summary on the back of the book. I am glad that I am not alone and it made me realize that is part of the the writing life. This book gives hope and support that yes you can make it as a writer maybe not the riches in terms of money but maybe to quench your thirsty soul. Dennis Palumbo doesn't give away all his secrets(of course he still has a practice to run as a psychotherapist) but enough answers to make you realize yes you are not nuts or crazy but simply a writer. A good reference book to keep by your writing desk whenever you feel down or have the inevitable writer's block.

Palumbo is a writer turned psychotherapist. He saw all his own problems writing, and understood others also had them, and found his new voaction counceling other authors at various stages in their careers. As such the book differs from most other writer's guide books. He focuses on the internal processes of writing: self-doubt, negative judgement, hopelessness, loneliness, lack of ideas, etc. And he does give very valuable advice. Basically, he tells us to turn our weaknesses into strenghts. We can use anything in our writing, even our procrastination and depression. An idea that actullay goes back all the way to Nietzsche.
Thios book will not write anything for you, but it will help give new clarity to your thoughts about writing, and in that way help you with your writing.

Eric Maisel's "Living the Writer's Life" is one of the best books I've found on the writer's life, right up there with Rachel Simon's "The Writer's Survival Guide". Palumbo's, unfortunately, is not so spectacular, although it definitely has its merits.

One of Palumbo's best-conceived ideas is that in order to be happy with our writing, we must learn to enjoy the process for its own sake, not simply for external rewards such as sales and good reviews. I particularly like his view of writing as meditation, "a hushed, private space"--a calling more than a career. Palumbo talks about the problems all writers face, and it might help you to realize that you aren't so alone after all.

As much as I loved the good parts of Palumbo's book, however, there were definitely some parts I didn't like. For example, I took real issue with some of his claims regarding bipolar disorder, particularly his claim that bipolar is nothing more than an unhelpful label. As someone who HAS bipolar disorder (a genetically-inherited, biologically-based *illness*), and whose life was very much aided by the proper medication, I can say that such "labels" can be very helpful indeed! If you're worried about somehow losing your creativity if you medicate and calm your manic phases, I can personally testify to the fact that in many cases medication makes it much easier to actually sit down and take advantage of your creativity, rather than taking it away.

It is clear that Palumbo has some very strong feelings on certain matters, and every few chapters these feelings detract from the usefulness of the book. He bashes would-be writers who haven't yet written anything, comparing them to someone who says that they've always wanted to give heart surgery a try one of these weeks (the analogy holds merit in that writing requires skill, but falls apart in that writing requires more learning-by-doing, and can at least be attempted, explored, and practiced by the unskilled!). If there's one thing I took away from Maisel's book, it's that every writer was once a would-be writer. And the line between "wanna-be" and "would-be" isn't something we can assume just by looking at someone.

I don't recommend this book to the novice or "would-be" writer. Unlike Maisel's book, it's likely to give you a few skewed ideas about creativity and your own role in writing. On the other hand, it has a lot of very useful suggestions for writers who have some experience and are looking for help with the ups and downs of their craft. Palumbo has written lots of scripts and screenplays, so he has plenty of advice that is of particular use to those writers dealing with Hollywood.