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The Roman Triumph

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By: Mary Beard
(6 customer reviews)
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EDITORIAL REVIEW



Listen to a short interview with Mary Beard
Host: Chris Gondek | Producer: Heron & Crane



It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days.



A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph--but also its darker side. What did it mean when the axle broke under Julius Caesar's chariot? Or when Pompey's elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general's show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and "victory" in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.



Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture--and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes "history."

(20071101)

PRODUCT DETAILS

Publisher: Belknap Press
Pub. Date: 30th October 2007
Catalog: Book
Media: Hardcover
Number Of Pages: 448
Ean: 9780674026131
Isbn: 0674026136

ABOUT THIS BOOK

USER REVIEWS

Well written book about a fascinating subject
~ Written on Oct 8, 2008. out of users found this review helpful.

When a Roman general won a great victory the Senate would frequently vote for him to be given a triumph. The Roman triumph was Rome at its most glorious, according to many. It was mostly "about display and success" (p 31). The entire city seemed to shut down to watch the gaudy parade; work was suspended, songs were sung, and everyone came to cheer on the victors.

Imagine seeing Pompey's booty carried through the streets, the beaks of wrecked pirate ships, the gold and plunder, and the beaten captives, now in chains. Floats were popular. Tacitus mentions "replicas of mountains, of rivers, and of battles" (p 109). In case anyone in the crowd wasn't aware of what happened, actors were hired to perform the roles of the soldiers.

It appears that nearly every general and politician and Rome longed to have a triumph.

The defeated were so horrified at the thought of the display and ignominy that we know of quite a number who preferred suicide to participating in a triumph. Famously, of course, Cleopatra, but also Mithradates and Virrius. "When defeat appeared inevitable, Virrius persuaded some twenty seven of the Capuan senate to join him in drinking poison" (p 116).

Those captives who were made to walk through the streets in a Roman triumph to the jeers of the mob had little future happiness in store later. Many were slain. Some, like the defeated Jews driven to Rome after the end of the war in 70 AD, ended up as slaves who helped to build Vespasian's coliseum.

For anyone with an interest in Roman history, this is a book to savor.

Good, but could have been better
~ Written on Sep 30, 2008. 1 out of 2 users found this review helpful.

Lots of interesting info on the Roman triumph, but unfortunately the author gets in the way of her own topic. Statements like "The book will show..." and "I will prove..." belong in the Introduction. Instead, they're all over the place. Phrases such as "Now I'll turn my attention to" and "as we'll see in chapter 9" are littered throughout the book, leaving the reader to feel as though the actual book will, in fact, begin any minute now, we just have a few more previews to get through. I can't stand it when authors continually call attention to themselves like this. Just GET ON WITH IT. Also, whole paragraphs full of rhetorical questions (which historians should we believe? why should we believe them? how do our beliefs color who we end up believing? blah blah blah) put a frequent, and deadly, stop to the narrative. Maybe academicians like this sort of thing, but I don't think the average reader appreciates it. I know I don't. I'm halfway through the book; I'll finish it because of my interest in the subject, and in spite of the author's well-meant but exasperating prose.

info
~ Written on Mar 25, 2008. 3 out of 14 users found this review helpful.

This book did not keep my interest. It nit-picked the roman Triumph to death. A continous flow of information would have been helpful. But we stop at each street corner, and nit pick the corner and then proceed a little further, and nit pick some more...I still don't know the how, why or wherefor's of the triumph.

An approachable historian!
~ Written on Jan 18, 2008. 2 out of 2 users found this review helpful.

Not all history books are written to be read by those of us who are not academics. When Mary Beard takes on a subject matter, all that changes and history not only comes alive, it becomes clear and enjoyable. Thank you, Ms. Beard. This book has, of course, led to me looking for related subjects of the Roman Empire, as well the as the Republic.

praise for Beard's newest contribution
~ Written on Dec 14, 2007. 4 out of 4 users found this review helpful.

This book more than fulfills expectations. It is a much needed correction to earlier studies of the triumph. B. calls into question much that has been considered factual knowledge about the triumph by showing the inconsistencies and scarcity of the ancient evidence. A must read for everyone interested in the topic. B. has also gone to great lengths to make the text accessible to a non-scholarly audience, while maintaining high expectations of that audience's willingness to think critically about problems of historical research.

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