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Frida Kahlo

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By: Hayden Herrera, Victor Zamudio-Taylor and Frida Kahlo
(7 customer reviews)
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EDITORIAL REVIEW

Few artists have captured the public's imagination with the force of Mexican painter Frida Kahlo. During her lifetime, she was best known as the flamboyant wife of celebrated muralist Diego Rivera. Theirs was a tumultuous relationship: Rivera declared himself to be "unfit for fidelity." As if to assuage her pain, Kahlo recorded the vicissitudes of her marriage in paint. She also recorded the misery of her deteriorating health--the orthopedic corsets that she was forced to wear, the numerous spinal surgeries, the miscarriages and therapeutic abortions. The artist's sometimes harrowing imagery is mitigated by an intentional primitivism and small scale, as well as by her sardonic humor and extraordinary imagination. In celebration of the one-hundredth anniversary of Kahlo's birth, this major new monograph is published on the occasion of the 2007-08 traveling exhibition. It features the artist's most renowned work--the hauntingly seductive and often brutal self-portraits--as well as a selection of key portraits and still lifes; more than 100 color plates, from Kahlo's earliest works, made in 1926, to her last, in 1954; critical essays by Elizabeth Carpenter, Hayden Herrera and Victor Zamudio-Taylor; and a selection of photographs of Kahlo and Rivera by preeminent photographers of the period, including Manuel Alvarez Bravo, Lola Alvarez Bravo, Gisele Freund, Tina Modotti and Nickolas Muray. The catalogue also contains snapshots from the artist's own photo albums of Kahlo with family and friends such as Andre Breton and Leon Trotsky--some of which have never been published, and several of which Kahlo inscribed with dedications, effaced with self-deprecating marks or kissed with a lipstick trace--plus an extensive illustrated timeline, selected bibliography, exhibition history and index.

PRODUCT DETAILS

Publisher: Walker Art Center
Pub. Date: 1st October 2007
Catalog: Book
Media: Hardcover
Number Of Pages: 304
Ean: 9780935640885
Isbn: 0935640886

ABOUT THIS BOOK

USER REVIEWS

Frida Kahlo by H. Herrera
~ Written on Jun 24, 2008. out of users found this review helpful.

This book is one I have been wanting for awhile, so it was very exciting to finally have a copy. I studied Frida's work whilst at University and have remained an admirer of what she stood for and what she created.This book is firstly a lovely hardcover, with good photos of her work. It includes written reference to her life in Mexico, her family, loves, creativity and sadness. I have previously read work by Hayden Herrera so this book met my expectations from that perspective. If you find Frida's story and work intriguing, then this will be something to add to your art book collection. Personally I enjoyed this very much but if you are new to her work then this is an excellent reference book to start with.

Something left unsaid
~ Written on May 27, 2008. 2 out of 2 users found this review helpful.

I bought this book after seeing the landmark exhibit at the Philadelphia Museum of Art. The show included a number of photographs from Kahlo's own albums and from other photographers. What startled me was the difference between the woman we see in the photos and the person Kahlo shows us.

The photos show a person who is more vital, more dynamic than the iconish character that Kahlo paints. I appreciate the usual art history stuff about her biography and influences, but I wish someone had the courage to approach the distortions that made her art.
The reproductions in this book are excellent and I passed it on to my daughter who, like many women of her generation, finds Kahlo to be a touchstone.

Frida Kahlo
~ Written on Mar 31, 2008. out of users found this review helpful.

I have several books on Frida Kahlo in fact an earlier version written by the same author, but I felt this addition stands on its own & warrants keeping as there is enough new information, visuals to make it a keeper.

Frida Kahlo - extraordinary
~ Written on Feb 19, 2008. 2 out of 2 users found this review helpful.

My wife and I saw the recent Frida Kahlo exhibit at the Walker in Minneapolis. We both thoroughly enjoyed it. I bought the book "Frida Kahlo" on line from Amazon as a gift for my wife. My wife has a bad back as did Frida. The pain in her body comes through in her art, and I think my wife felt a strong connection with Frida. My wife loved the book, and she was very happy with the gift.

Amazing essays on an amazing artist
~ Written on Jan 7, 2008. 5 out of 5 users found this review helpful.

To say that this is a major catalogue from a major exhibit is to ignore the more important point...this is a collection of brilliant essays on Kahlo and stunning photographs of her painting and related works and people in the Kahlo circle, but also Mexican folk art, history and the modernist movement in Mexico. He is also a thrilling writer and critic on the use of allegory and on Kahlo and RIvera's hatred of what Zamudio-Taylor calls "the modern capitalist universe" against which both Kahlo and RIvera rewrote "Mexico's fragmented and violently interrupted history." As Z-T states, "Kahlo's mexicanidad prefigures postmodernism's distrust of progress and linear readings of history. This, most striking article, however, by Zamudio-Taylor who has apparently had extensive contact with her work and its curiatorial special questions, emphasizes Kahlo's work as existing at the cross-roads of a history and of conflicting narratives. He links her concerns not only with other Mexican painters and writers, but also the avant-garde in Paris; namely, Andre Breton. This article is amazing both for its erudition and its multi-dimensionality and detail.
This work is a collection also of fabulous paintings, photographs, time lines and for these reasons it is a must have in any library on Mexican art, modernism etc. Z-T is perhaps the most formidable of the authors of essays, but the book has also other major contributors, ie Carpenter, but especially Hayden Herrera and who interrogate Kahlo's legacy also as it influences those who followed, while also following up on the specific riffs in the work of others on the body, on the poetics of self that have their roots in Kahlos combustive images.

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